Monday, 11 December 1995

The Best of 1995: Theatre


The Best of 1995: Theatre
Kate Herbert Dec 11, 1995
Published in The Melbourne Times, December 1995

The beauty of non-mainstream theatre in Melbourne is that it does what mainstream does not. Much of our best is new work. It is always visually exciting, physical and somehow luscious and sensual. 

Al Andalus Hildegarde celebrated a Jewish-Arabic community in mediaeval Spain with erotic flamenco-inspired movement, exotic jewel-coloured design and mesmerising a' capella song.

Jump! devised by the wonderful women of  Crying in Public Places, also integrates unaccompanied songs. It is cheeky, warm and adorable and relies on the physicality of its performers. They jump literally and metaphorically, telling with ease and passion, charming, funny and moving stories from their lives.

In Stephen Berkoff's Decadence Alison Whyte and Rhyss Muldoon were sexy, lewd, savage and provocative. Their comic timing in this dense verse text was faultless.

Sarah Cathcart with her chameleon-like solo performance, Tiger Country,  has successfully made the shift from fringe to mainstage. Her whimsical, wry characters and physical transformations are mesmerising.

The Melbourne Theatre Company has my award for best damn batch of shows.  Hamlet, directed by the inimitable Neil Armfield, had a powerful vision of Elsinore as a totalitarian regime. An impeccable cast was lead by a compelling Richard Roxborough with his subtle and dynamic portrayal of the Prince.

Simon Phillips production of Tom Stoppard's perfectly crafted script,
Arcadia was moving, passionate analytical, inspiring the audience to think, judge and feel.
Scenes from a Separation,( MTC) was seamlessly directed by Robin Nevin with an achingly hilarious and anguished script Andrew Bovell and Hannie Rayson.

From Britain, we were privileged to witness Stephen Daldry's production of
An Inspector Calls with its inspired staging and design, humanist commentary and exceptional performances of a family facing its crumbling world under a drenched sky.

The Three Lives of Lucy Cabrol  (Theatre de Complicite') was a profoundly evocative, poignant and lyrical epic tale of love and death, which pulsated with energy, skill and vision. It reeked of passion, and metaphorical imagery.

KATE HERBERT

Tuesday, 29 August 1995

1995 Reviews by or about Kate Herbert, Herald Sun


1995 Reviews, by or About Kate Herbert, Herald Sun

 SNAKE PIT NEEDS MORE BITE   Herald Sun, 29-08-1995, Ed: 2, Pg: 043, 448 words , ENTERTAINMENT
The Snake Pit Where and when: La Mama, Carlton, until September 3 DECADES before Ariel Dorfman wrote Death and the Maiden, an Australian dramatist was writing her own version of "turn the tables on the torturer" set on the Gold Coast (of all places) ...

    TRIP ON WAY TO CLIMAX   Herald Sun, 29-07-1995, Ed: 2, Pg: 034, 110 words , ENTERTAINMENT
TRIPTYCH is not just a whodunit, it is a "who-did-what?" A woman (Nikki Coghill) brings home a bookshop owner (Sarah Chadwick) to her writer husband (Joseph Spano). The two women met only that day, but the guest seems to know Mr Wrong rather too well...


    CUB SITE PLANS   Herald Sun, 17-07-1995, Ed: 2, Pg: 061, 526 words , ENTERTAINMENT
CUB site plans RMIT University has got the site, it's got the plan and all it needs now is the money. The site is the old CUB headquarters at the top of Swanston St, which it wants to develop into a media centre and student housing. Architectural fir...

Saturday, 29 July 1995

Triptych, by Kate Herbert, REview by Chris Boyd July 29, 1995


Edition 2 SAT 29 JUL 1995, Page 034
TRIP ON WAY TO CLIMAX
By BOYD C



TRIPTYCH is not just a whodunit, it is a "who-did-what?"
A woman (Nikki Coghill) brings home a bookshop owner (Sarah Chadwick) to her writer husband (Joseph Spano).
The two women met only that day, but the guest seems to know Mr Wrong rather too well.
Suspicion builds when the bookseller attributes one of the most notorious couplets in English literature to John Dryden instead of Jonathan Swift.
Kate Herbert's plot squirms to a whip-cracking climax, but it falters with brittle characterisation and haphazard dialogue.
Triptych finishes at La Mama tonight.
END OF STORY
Keywords:  REVIEW
Section:  ENTERTAINMENT
© Copyright. All rights reserved. Most articles on Newstext are copyright News Limited. Some copyright is owned by third parties. You may read this article on-screen or print it once for your own personal use. You may not make further copies, forward it by email, post it on an internet or intranet site or make any other use of it without written permission from us. These and any copyright licensing queries should be sent to us at newstext@newsltd.com.au